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I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
From Magma No. 32, Summer 2005
John Masefield (1878-1967) was English Poet Laureate from 1930-1967 and published Sea-Fever in 1902. Masefield published it originally with the title hyphenated, and the opening line of each stanza beginning, “I must down to the seas again…”. Not “go down”. And that’s how it appears once again in Carcanet’s new edition of Masefield’s Collected Poems. But in between, generations of British schoolchildren have learnt it as, “I must go down to the seas again…” Which is exactly how Knox-Johnston learnt it, and still recites it!
A shotgun in her parlour, Amazon says Enter.
A barefoot wedding. She gestures like treacle,
a guttering of purple in a dugout canoe on the
dream banks of the living room carpet. A diva, she
demands more body. Her want is citrus scented.
She waits in silence, a pulsating black
widow's abdomen. A calling. When you finally
wade into the first-sex smell of nectarines, she
tells you a night-time scare story : of alien
autopsy, the power of the drum, and the psychic
potential of humankind. Designed to send your
blood into the web. "Relinquish" she mouths into
the spaces between your outstretched fingers. Give
way to the sinking vibration of a temple bell. Let
her drop you, head first into the green with
nothing more to cling to than the ozone, ivy and
spider within.
After dark I call you up,
just to hear the weather report,
that the nights are drawing in now,
and how much you paid
for your latest pair of trousers.
You’ll tell me the one about
PLUTO, the giant pipeline rolling out
under the Channel on a steel drum,
how it kept the tanks fed
for our boys on the continent,
how the ice cream hut along the bay
was really a pump in disguise,
like those Ruperts that kept the Führer
guessing. And the Kamikaze who’d blaze
unswerving to the end, the enemy
you couldn’t help but admire. And I’ll
sing you American Pie again,
like that last night in the hospital,
however many times you try to die.
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