A Dancing Words Film. Written and directed by Caleb Femi.
I want to go back now, through the buzzing darkness.
I want to go into that humming hive awake,
wearing the net curtain you called my veil.
I want to walk down childhood’s garden
as that girl who married her mother,
through the marguerite bed
to that nest, where my bee-queen lies
deep in her brood chamber.
I want to see the honeycomb of your mind.
I want to look into your compound eyes
where I’m reflected as an angry swarm.
I want to be that daughter whose mother has stung her
because she’s a rival,
who’s still pumping venom into her.
I want to be that childless worker
who dared to sting back, shreds
of my torn abdomen hanging off you
as I leave my stinger behind.
I have cleaned the window of my self until I gleam.
I want you to see how radiant I am
on this, my wedding day.
With all the love I now know,
I want to brush the halo of your hair
that’s grown into a comet
and mend the delicate rays of your wings.
I’ll place royal jelly in your coffin for your last flight
and close the moonlit petals of your face.
she means / I know how long it has been / since you touched wild grass / she means / stay there / let me WhatsApp you a photo / of the hoa táo in my garden / she means / I’ve been sewing masks / using the pattern from Huế / look / I used cornflower print for this one / I’ll mail it to you / she means / I kept your letters / from the first time I left home / she means / last week a woman like me went out / came back / with a bruise on her cheek / she means / do you remember our houseful of guests in Bạc Liêu / how I fanned their backs / with a palm leaf / she means / do you have enough bún tàu / khoai lang / are you taking your medication / she means / I’m still on sick leave / there were two cases on my ward / and my chest hurts / she means / I don’t think I can work anymore / my knees are not strong like yours / she means / I’ve never felt as beautiful as you / she means / my cousin in Saigon says the peach blossoms have come / she means / I know why you fold so many cranes / she means / I never thought we’d be old women at the same time / she means / don’t leave yet
Tennant's Stalk - that's my monument.
Talk of the town, top of the walk, tells them to stop,
Any that trudge by that well-named Sight Hill.
It tapers elegant to its hourly bloom,
Thick smoke, acrid, highest anywhere,
Four hundred and thirty blessed feet
Above my empire, my chemical empire,
My blessed St Rollox, biggest anywhere,
My eighty acres of evenhandedly
Distributing industry and desolation!
Chief of all chimneys, carry your noxiousness
Into the clouds and away from my employees,
Settling if it must where I cannot see it!
I am in business for the uses of the world,
Bleaching powder, soap, sulphuric acid,
A thousand casks a week from my cooperage.
I'm standing here in the midst of furnaces
Which I understand and command - oh yes,
If there is anything new or strange in chemistry
It will not be the case that I have not heard of it.
Boasting, in my Glasgow way? Well, perhaps.
I am a chemist with passions. I am a character,
They say. Take my wife. I don't mean take my wife,
But just consider. We are not married
Except by good old Scottish cohabitation.
She is a total non-person to my family.
My brother, well we don't get on, that's that.
My sister-in-law, put bluntly, is a bitch.
My dear Rosina was a factory girl,
She may be beautiful, she may be bright -
She is beautiful, she is bright -
But a lassie from St Rollox, that's not on.
Well well, I've put their gas in a peep,
That claque or clat of bitches who can't stand
Class mix - my grand house in West George Street
Has, or should I say boasts, a fine brass plate
For MR & MRS JOHN TENNANT. And that's us.
How can a rebel be a capitalist?
What's the problem? I have a yacht - of course! -
And some have tried to poach my butler - fat chance -
But who was it marched through Glasgow in '32
To see the great Reform Bill safely through?
Who was it planted a doctor in the work
To give free treatment to all? Who ran
A factory school for workers' weans? Who
Cranked up mechanics' institutes? Who stayed
In the centre of Glasgow when the nabobs and nobs
Hustled out to suburban palazzos?
I'm bluff and gruff and tough enough,
If a foreman is a pain in the arse
I tell him he's a pain in the arse.
My eyebrows are bushy, and if my finger is in my fob
You had better watch out if you are skiving your job.
But, or rather BUT,
If ever you are down on your luck
You can come to me, you can run
With a secret misery, I can cut
Corners for you, nothing is shut
That John Tennant cannot get unstuck.
I come back to my Stalk, my obelisk, my watchtower,
My beautiful slender avant-garde polluter.
What poet would sing those acres of grey ash,
That ghastly guff of hydrogen sulphide?
Who cares? I'm happy to stand in for Homer.
His gods would have cackled with joy
To see my new-born boy
Poking manfully towards their heavenly rookery.
I marked the occasion - oh, did I not!
I gathered a posse of friends to hansel the Stalk.
Ladies and gents, I said, you're going to the top!
Such cries of horror, it was like a play.
I relished the moment, lifted a hand
For the clamour to subside. Just a joke, folks.
I don't need steeplejacks. It's inside you're going.
The bricks are the best money can buy,
They are new, they are brilliant, not a smitch of soot.
Please admire them as your rise past them.
Climb? Not a step. You will mount like magic
By a system of hissing steam-powered pulleys -
O James blessed Watt, late of this parish! -
Emerge at the viewing platform, safe as houses,
And sweep your eyes around like modern gods.
What's that sir? Insurance? Christ man
This is Glasgow. You are pioneers. Get in.
There's a woman in the Stalk before you.
Yes ma'am? Skirts? That's taken care of.
No one will look up your furbelows.
The ladies will sit in a basket, like balloonists.
The gents will be in buckets, like Brahmins.
Well, up they went into the half dark,
Clutching their ropes, listening to the pulley,
Silenced by the mystery
The summit was all light and air and chatter.
The smoky city was shunting fiercely below
But the height, the horizon, the haze was their hope
As they looked at, looked for, Scotland.
The firth, the masts and sails, the Arran hills,
The river winding south through glasshouses,
Eastward a faint glint of spires - Edinburgh?
We don't want Edinburgh! Find Ben Lomond!
They found it, and they found much else
As they leaned on my parapet, not paradise
But a throb of the great paradox,
Useful filth, mitigated pain,
Crops of brick and iron, with or without rain.