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I arrive early afternoon in a blaze
of wrong-seasoned sun.
The Thames drags its tourists upstream,
all the babies are out, some Italians are lost.
Your seaside home has been re-built
here, cloud-high in concrete,
spliced between lift-chime
and the airless hum of books–
an edit point, pause palace. I find
the door to the door to your door,
close it behind me.
Candles dance an imitation flicker,
your desk is patterned with pockmarks ,
your bed made up in a red check–
an invitation to rest, yet
I dream deepest standing up.
The gulls are switched on, crying above
waves piped in with no salty tang.
I come to this place. Come to this place.
Everything repeats on a loop.
I’ve brought some fine words for your list
including sweven, noetic, griskin,
and a small joke that nods
to our hard Celtic “r’s”.
Something chirrups, another creaks,
you murmur about the dead of your life.
I pace the floorboards with a soft tread,
in the next room you are typing, were typing.
I fashion the bedspread into a shawl
as the not-night begins to bite.
The sound of whiskey pouring tempts the back
of my throat, the typewriter ribbon’s gone dry.
Paper is scrunched, the radio switched off,
We speak into this quiet that was made for us.
It’s growing late, the real river catches
the evening’s navy robe as it falls. I wonder
how on earth I can leave you now.
O my love keep the day.
Commissioned by the National Poetry Library as part of Constructing Spaces. In partnership with graduates of the Poetry School’s MA in Writing Poetry.